Will’s last summer camp performance included the kids singing along to Jimmy Buffet. Paul and I felt that it was too strange to hear Jimmy Buffet without adult beverages, so we concluded that parents should be encouraged to play drinking games at kids performances. It would go something like this: Drink when your kid does X on stage.
Most likely, the drink list would include:
— Nose picking
— Tooth wiggling
— Crotch grabbing
— Lip pulling
— Butt picking
— Yawning
— Staring off into space while other kids sing
— Making excuse of stage time to hold hand of cute girl or boy,
or,
— Stage diving.
The stage dive wasn’t captured on video. Which is probably a good thing, as we’re trying to keep our un-insurable people ratio at 1:1.
Maybe he can get some extra points for speaking French?
Today is Bastille Day and, as one might expect for a French summer camp, there were school-related activities. Sometime last week, Kate’s teacher sent home notes asking the students to wear costumes for Bastille Day for their party and parade. Accordingly, I planned on not thinking about it until 8am this morning, roughly 30 minutes before leaving for school.
Thanks to a tu-tu stuck in the back of her closet, Kate was a cloud:
She is holding a Christmas ornament with a picture of herself in it at age 7 months. I have no idea from where she took said ornament or why she insisted on posing with it this morning.
The white bracelet? She made it at school last week. I thought it gave her outfit just the right touch.
View of downtown New Orleans from the rooftop of Tulane’s 6-story parking garage.
The view of downtown New Orleans, with Fourth of July fireworks silently exploding in the distance. There are two sets of fireworks because the celebration here has “dueling barges” sending off pyrotechnics from the river.
All in all, an easy way to see fireworks with no crowds. Drunk college kids arrived part-way through (note to Tulane: install a sobriety check-point directly at the exit of the garage at 9pm on the Fourth) but the roof area is large enough for them to be only a minor annoyance… in the sense that we can’t help but look at ourselves and go, “my goodness, were we that self-absorbed and clueless when we were that age?!”
It’s not a sign that we’re old. It’s a sign that we’re simply mature.
The strong chemical-like odor blanketing the metro area this morning is coming from the Dow chemical plant in Hahnville, according St. Charles Parish emergency officials.
Rodney Mallett, a spokesman for the Louisiana Department of Environmental Quality, said the plant released the chemical ethyl acrylate.
So. My husband is breathing ethyl acrylate as he carries out the trash? My children are breathing ethyl acrylate as they run and huff and puff and play outside in the sun? I am breathing ethyl acrylate as I walk to campus?
St. Charles Parish spokeswoman Renee Allemand Simpson said parish officials were told by Dow that a crack had developed along a seam in a tank at the plant, which released the odor at about 6:40 a.m.
Simpson said a Dow technical advisor [sic] said a blanket of foam had been sprayed over the roof of the tank, reducing the volume of leakage, and that the chemical was being pumped from the tank.
Some people may experience headaches, dizziness and vomiting, Simpson said. Two deputies were made ill by the release and were treated at St. Charles Parish Hospital, according to Sheriff’s Office Spokesman Capt. Pat Yoes.
“It’s not toxic at the levels that it’s at right now, but it is noxious,” Simpson said.
The plant has not shut down and is operating as usual, Dow spokesman Tommy Faucheux said.
The chemical may cause toxic effects if inhaled or absorbed through skin, and it can irritate or burn the skin and eyes. The chemical is listed as a possible carcinogen by the National Institute of Occupational Safety and Health. Officials, however, say the mixing of the chemical in the air has resulted in levels too low to be a health threat for those outside the immediate area of the plant.
Hahnville resident Ida Martin said her son woke her up early Tuesday after smelling the odor, but when she called the parish Emergency Operations Center, the person who answered the phone seemed to downplay the matter.
Did that belly dancing class make us uppity? First we’re umming, then we’re all blinging out, and before you know it, we’re having drinks and splitting burritos at young co-ed haunts on Saturday nights.
Oh, and then? We’re going out for live music and dancing.
This is Katie Herzig. If you’ve watched Grey’s Anatomy, you’ve heard her — she’s wonderfully talented, plucking out those mellow chords and lyrical phrases. Here’s the song you’re likely to have heard (a-la Grey’s):
She was a Lagniappe, the unexpected opening act. I truly had no idea that the headlining act wouldn’t START until 11pm.
We chugged huge vats of iced coffee before the show, just in case.
I know I’ve gone on and on about the Photovoice project cameras. And while I’m not saying that my recommendations are powerful enough to produce dramatic market changes, I do find it incredibly suspicious that these cameras (which we bought for the project at $109 a piece — on sale marked down from $139) are now $300 on Amazon. (Office Depot is selling them in the $130s.)
At first, I played around with the ISO (this is the 800 setting) and then with the shutter priority mode.
All this trouble was completely justified. It was for the Indigo Girls, after all.
I didn’t realize it, but Emily (the musician on the right) went to Tulane! She gave a big heartfelt shout-out to Tip’s, mentioning her own first music experiences in the venue.  Both she and Amy took every opportunity to remind the crowd of the groups they were there to support.
The venue, Tipitina‘s, sits on the corner of an Uptown neighborhood street, near the railroad and docks. Once upon a time it was a neighborhood bar and juke joint. It’s been home to many (if not most) of New Orleans’ beloved musicians — but the club is dedicated to Henry Roeland Byrd, (a.k.a. Professor Longhair), one of the most revered rhythm and blues musicians in the legacy of New Orleans music.
Tipitina’s holds a wide range of community activities and runs a Foundation that brings instruments to local kids. They sponsor events where musicians mentor students, including training in musician business skills and industry internships. They hold events that raise money for organizations dedicated to preserving the unique heritage and traditions of our city. The concert was part of an “activism night” for Tipitina’s and local organizations that the Indigo Girls support.
It was my first night inside Tip’s. The two story space is like a big barn — U shaped second floor with open center and big dance floor below. It has that special mix of history and intimacy one expects in New Orleans; you feel the energy of the evening on the back of the energy from the day before. It feels familiar and exciting all at the same time.
Here is a recording of the full song in the clip above:
I was thrilled they played Land of Canaan AND Watershed, neither of which I think I’ve heard them play live before.
They played quite a bit from their new album, which is fantastic — it goes back to the sounds of some of their older music.
Actually, they played nonstop for 2 hours… from 11 until 1am.
One of the fundraising activities for the night was the opportunity to sing “Closer to Fine” on stage with them… and get a recording of it… to the highest bidder.
It went for $9,000.
I know. WOW.
And of course someone in our group knew the winner. I hear she’s an OB-GYN? She actually bid with a group of friends, so all four were on the stage, but she sang the second verse all by herself.
They played a couple of encores… the last one was Galileo. Bonerama was hanging around, so they joined the Girls on the stage. I’m not sure if the members of Bonerama had ever really heard the song before? But whatever. Everyone was singing so loudly I’m not sure if mattered. You decide:
It was after 3am when I crawled into bed Saturday night. I was out late. With the girls.
Oooooh, yes.
But that is not where this story starts. It starts with a Girls Nite from a few weeks back. A jewelry-making fundraiser, for one of my favorite nonprofits, sponsored and organized by some wonderful people. Followed, later by drinks.
Doesn’t this lady look too beautiful to have three children under 5 and a big school to manage? Let alone do fundraisers?!
Georgia at The Bead Shop donated her shops wares and the personal talents of her staff — we all made beautiful accessories and hung out.
I brought one of the cameras in our Photovoice project. I’m so thrilled with these cameras and very impressed by the options and handling. It’s nice having something little to pull out quickly, even if all my friends look at me as if I’ve suddenly become ill, “isn’t that a little… SMALL for you…?” they ask in a worried glance.
Well, yes, true. But I’m practicing what I preach to the research team. It’s not about the level of fancy in the camera… it’s how you use it, right?
Focusing is actually the most difficult part. Maybe it’s that I’m used to my many possibly focal points and having manual focus so easily accessible — but it was tough for me to focus on smaller foreground objects (like the earrings below), even on the “macro” camera setting.
It took a couple of tries to get this, and even still, I couldn’t quite get the main focus on the first earring in the row, as I wanted. Practice, practice.
We picked out a strand, a pendant, and some supplies. Then we sat down and ate, laughed, and threaded until we all had new bling.
Georgia helped with the finer details.
The incredible food was donated by friends at Cochon.
Don’t ask me what it all was. I’ve blocked it all from memory and replaced it with the word GOOD.
It was somewhere in the middle of all of this that we re-affirmed our plans (first made at our Belly-Dancing girls nite) for Indigo Girls…
A few weeks ago, I wrote on facebook about walking out my door one morning to find a robe-and-slippers-clad gentleman on the porch a few doors down, typing away on a manual typewriter, coffee at his side. The day after writing the update, I saw him again. This time, however, I was not in a hurry. This time I went back inside, made him some Cool Brew, and walked over.
Michael and I fell into quick conversation for over an hour. He’s from Chicago, where he works in a bakery that doubles as a skills building and work training program. He is also a performance artist whose alter, Bertha Mason, makes pies.
We talked about many things, but pies were a central theme. At one point, he HAD to get the pies he’d made the day before. Because what is better than pie for breakfast?
I insisted his hosts get first dibs, but later that afternoon, our neighbors brought over a plate stacked high with pie slices. The kids loved the brownie pie (Will especially). I loved Michael, his enthusiasm for New Orleans and love of people. It’s very clear within moments of meeting him that his love of baking came out of his love of connecting to people — he was endearing and friendly and fun.
Meeting him, with his typewriter and pajamas, made for a perfect New Orleans morning.
Bertha is online and if you are in the Chicago area, you could go out and say hello — and eat some pie. While the Jesus, Music, and Cookies Sunday event is tempting, I would totally go for the Black and Blue Berry Buckle Party at the International Leather Community.
I’ve been trying to come up with some sort of creative, literary fancy-pants-writer way of recounting all the random craziness going on here. Listing has felt too random, too quick. Instead, I’m taking a page from Jim Croce, who famously used music to express emotion. Borrowed, of course, from the Internet’s favorite Helena, TPM with 80s inspiration from Mad.
Here it is, the soundtrack to our lives as of late, 80s style.
— That Sweet Child O’ Mine, Baby Kate, turned 3. A bunch of our friends came over and we had fun while 13 kids ran around our house, beat a pinata, and screamed “I Want Candy“!
— Tomorrow morning, I’m going to Photograph the Abeona kids for a school fundraiser.
— The social work class I’m teaching starts tomorrow night. I don’t expect anyone to be Hot for Teacher, but it would be cool to form a Cult of Personality.
— The uncertainty around my parents’ move has us feeling helpless, but I guess That’s Why They Call it The Blues. Explaining to Will why his Grandparents are moving means a lot of Sad Eyes.
— I got a Visiting Scholar appointment at a big Northeast college which is cool and wonderful and awesome because the folks there took me as What I Am.
— My SMA conference proposal was accepted and I’m Walking on Sunshine that at least an abstract of the dissertation is of interest.
— Next week I go to Boston for the Schweitzer Fellowship. I have to leave a day early to be there on time because we live In a Big Country. The program director’s retreat is a 3-day all-day event, yet I am hopeful to have some quiet time to myself to write. My greatest dream is to have a full, uninterrupted week alone in a place that isn’t my house to work on nothing but my dissertation… Save a Prayer for me.
— Two friends and I have made a walking pact for regular exercise and stuck to it now for over a week. When I feel like there is too much going on and I can’t manage to get away, I Whip It. Not that this is helping me look at birthday cake and manage not to Eat It.
— The firehose went from bone dry to full blast, as Paul is Back on the Chain Gang (or maybe the Morning Train?) with several projects and overtime. Combined with my income and his guarantee of at least 10 weeks more of work, we’re fine. There is no more Livin’ on a Prayer. And yes, New Orleans is still tough place to live and work but it’s our American Dream and we love it and there’s no place like it and I Still Believe that it’s worth sacrifice to raise our kids in this amazing place.
We’ve lived here for 5 years now and we’ve just figured out Jazz Fest.
Here’s how it works. You hang out. You somewhat randomly wander around, meeting up with friends, checking out crafts and tents, getting food, and (of course) hearing music. If you LET the magic happen, it will.
Here are a few random highlights that show a little of what we saw… I apologize that I did not capture in photographs more of what we did. I was very busy dancing, listening, talking, eating, laughing… you know, doing.
Here’s Washboard Chaz.
Here’s Beausoliel avec Michael Doucet. This is a few hours before Paul realized Mr. Doucet was standing directly behind me in the plantain and spinach food line. (You can click here to go and hear “Alligator Purse.”)
Gospel Tent… with typical Jazz Fest magic. That’s Paul Sanchez in the back (see his black jacket and hat?) and Trombone Shorty. The tuba? He’s from Rebirth. Apparently, they are buddies of the singer and came over to back him up on this bit. We just happened to be walking by the tent when this started and a random photographer walked up to us to tell us that folks from Rebirth were backing up the singer and it was awesome. We walked in and were thrilled to… “wait, is that Paul Sanchez?!” … before settling in for awhile.
By the way, if you haven’t heard it, I love Paul Sanchez’s song Sedation…
Friends Ecoee and Melody shared their brass pass… and we enjoyed the refreshing WWOZ tent, impressive fruit spread, and clean bathrooms.
We had to get the kids by 5 and with our regular tickets could not be re-admitted. Instead, we picked up the kids and went back to Ecoee and Melody’s, where we watched Tony Bennett from their front porch.
We tried to impress upon Will the Tony Bennett coolness factor…
This is our view — that’s our white car on the street and a jazz fest flag flying from their porch to the top right. See the stage, upper right? That’s Tony in the yellow jacket.
The porch is fantastic for sound. Things are a little loud when you’re in the field… but right outside? Perfect, just right.
No, really, it’s him!
There he is, taking his bow. The show was all standards and it was awesome. He dedicated “The Good Life” to Britney Spears, which made me feel a little badly for Britney because I thought we were sort of over picking on her. Ah, well, I guess when you’re Tony Bennett, you decide what’s in and what’s out.
By the way, it’s humid and well into the 80s and the dude was out there for over an hour belting out note after note, sounding JUST like he did 40 years ago. Amazing.
Once everyone got back from the Fest, we had a great night hanging in the pool and talking while the kids played… without meltdown or fuss… until 10pm. I can’t think of any stronger magic than that.
Regular dishes on life in New Orleans, historic home renovation, raising kids, completing a PhD, travel near and far, global concerns, and health issues.
You know the story, right? International health... work all over the place... drag my kids around in sacks through villages in Central America... yadda yadda. I decided to go for another degree, so in 2004 we moved to New Orleans with no intention of staying.
Then Katrina.
And then *blink*blink* New Orleans is a completely different place and we just can't leave. Suddenly I'm on TV talking about immigrants and health and Paul is starting a company. Or two. His side is high-tech, mine is community health and our lives are yearly evacuation, regular celebrations, and nonstop work here, there, and everywhere. Our door is always open. I only ask that if you decide to go ahead and make yourself that mint julep, you make one for me, too.